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I'm Losing My Temper

I'm Losing My Temper

Comedy · 1974

Pierre is a clumsy, overly serious math teacher at an all-girls high school. His life is thrown into chaos after encountering a beautiful British actress and the paparazzi that follow her around.

Movie details

I'm Losing My Temper

“Laughter, misunderstandings and passion explode in an effervescent vaudeville.”

1974 Comedy 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Pierre is a clumsy, overly serious math teacher at an all-girls high school. His life is thrown into chaos after encountering a beautiful British actress and the paparazzi that follow her around.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I'm Losing My Temper?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Second Tour

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Alter Ego

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Names above the title

The people responsible.

Directed by

Claude Zidi

Written by

Michel Fabre · Claude Zidi · Pierre Richard

Pierre Richard

Pierre Richard

Pierre Durois

Jane Birkin

Jane Birkin

Jackie Logan

Claude Piéplu

Claude Piéplu

Docteur Hubert Durois

Jean Martin

Jean Martin

Headmaster

Danielle Minazzoli

Danielle Minazzoli

Danielle

Julien Guiomar

Julien Guiomar

Albert Renaudin

Vittorio Caprioli

Vittorio Caprioli

Le metteur en scène

Court is in session

Put I'm Losing My Temper on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.