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The Troubles of Alfred

The Troubles of Alfred

Comedy · 1972

Unlucky in love, Alfred tries to commit suicide, only to be thwarted by police efforts to prevent a simultaneous attempt by a nearby young woman. Recovering, the young lady puts him up at her house, as he has run out of places to live. He joins a Parisian sporting team and seems to have transferred his bad luck to a corrupt television boss who is attempting to manipulate the game so that Alfred's Paris team loses.

Movie details

The Troubles of Alfred

1972 Comedy 1h 38m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Unlucky in love, Alfred tries to commit suicide, only to be thwarted by police efforts to prevent a simultaneous attempt by a nearby young woman. Recovering, the young lady puts him up at her house, as he has run out of places to live. He joins a Parisian sporting team and seems to have transferred his bad luck to a corrupt television boss who is attempting to manipulate the game so that Alfred's Paris team loses.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Troubles of Alfred?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Pierre Richard

Written by

André Ruellan · Yves Robert · Roland Topor · Pierre Richard

Pierre Richard

Pierre Richard

Alfred Dhumonttiey

Anny Duperey

Anny Duperey

Agathe Bodard

Jean Carmet

Jean Carmet

Paul

Paul Préboist

Paul Préboist

Peasant

Yves Robert

Yves Robert

Parisian television viewer

Paul Le Person

Paul Le Person

Fussy police officer at the deposition

Mario David

Mario David

Kid Barrantin

Court is in session

Put The Troubles of Alfred on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.