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The Brats

The Brats

Comedy · 2013

Newly engaged, Thomas meets his future father-in-law Gilbert, who has been married for 30 years to Suzanne. Disillusioned Gilbert is convinced that his marriage has meant he's missed out on life. He persuades Thomas not to marry his daughter Lola and encourages him to drop everything else in his life as well. The two men then throw themselves into a new brats' life full of adventure, convinced that freedom is elsewhere. But at what cost do we rediscover our adolescent dreams?

Movie details

The Brats

2013 Comedy 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Newly engaged, Thomas meets his future father-in-law Gilbert, who has been married for 30 years to Suzanne. Disillusioned Gilbert is convinced that his marriage has meant he's missed out on life. He persuades Thomas not to marry his daughter Lola and encourages him to drop everything else in his life as well. The two men then throw themselves into a new brats' life full of adventure, convinced that freedom is elsewhere. But at what cost do we rediscover our adolescent dreams?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Brats?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Anthony Marciano

Written by

Max Boublil · Anthony Marciano

Alain Chabat

Alain Chabat

Gilbert

Max Boublil

Max Boublil

Thomas

Sandrine Kiberlain

Sandrine Kiberlain

Suzanne

Mélanie Bernier

Mélanie Bernier

Lola

Arié Elmaleh

Arié Elmaleh

Carl

Elisa Sednaoui

Elisa Sednaoui

Irène

Alban Lenoir

Alban Lenoir

Romain

Court is in session

Put The Brats on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.