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Inspector Blunder

Inspector Blunder

Comedy · 1980

A detective, fresh out of the academy (lowest mark in class), gets the assignment to bodyguard a spoiled rich girl reporter. She's been interviewed on TV and has questioned the virility of a mobster who kidnaps her later.

Movie details

Inspector Blunder

1980 Comedy 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

A detective, fresh out of the academy (lowest mark in class), gets the assignment to bodyguard a spoiled rich girl reporter. She's been interviewed on TV and has questioned the virility of a mobster who kidnaps her later.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Inspector Blunder?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Claude Zidi

Written by

Claude Zidi · Jean Bouchaud

Coluche

Coluche

L'inspecteur stagiaire Michel Clément / Le commissaire Jules Clément

Gérard Depardieu

Gérard Depardieu

Roger Morzini, l'ennemi public n°1

Dominique Lavanant

Dominique Lavanant

Marie-Anne Prossant, journaliste

Julien Guiomar

Julien Guiomar

Le commissaire-divisionnaire Vermillot

Alain Mottet

Alain Mottet

Dumeze, le directeur de la police

François Perrot

François Perrot

Louis Prossant, magnat de la presse et père de Marie-Anne

Jean Bouchaud

Jean Bouchaud

Inspecteur Zingo

Court is in session

Put Inspector Blunder on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.