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Daddy Cool

Daddy Cool

Comedy · 2017

Adrien, 40 years old and totally immature, is dumped by Maude, 35 years old, eager to finally found a family. In an attempt to regain the love of his life, Adrien decides to move into the future ex-married apartment: a nursery home - The beginning, an improbable educational experience.

Movie details

Daddy Cool

2017 Comedy 1h 37m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Adrien, 40 years old and totally immature, is dumped by Maude, 35 years old, eager to finally found a family. In an attempt to regain the love of his life, Adrien decides to move into the future ex-married apartment: a nursery home - The beginning, an improbable educational experience.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Daddy Cool?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Speech

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Meet Adrien! He's 35. He's stuck in a mid-life crisis. He's neurotic and hypochondriac. Tonight he's stuck in an endless family dinner and his girlfriend is not answering his texts. On top of that, his dumb brother-in-law asks him to prepare a speech for his wedding. Could it get even worse?

Alter Ego

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French Tech

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Comedy · 2021

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Names above the title

The people responsible.

Directed by

Maxime Govare

Written by

Noémie Saglio · Maxime Govare

Vincent Elbaz

Vincent Elbaz

Adrien

Laurence Arné

Laurence Arné

Maude

Grégory Fitoussi

Grégory Fitoussi

Renaud

Jean-François Cayrey

Jean-François Cayrey

Emmanuel

Nadège Dabrowski

Nadège Dabrowski

Constance

Bernard Le Coq

Bernard Le Coq

Martin

J

Juliette Pivolot

Juliette

Court is in session

Put Daddy Cool on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.