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Dead Tired

Dead Tired

Comedy · 1994

Stressed and overworked, famous French movie star Michel Blanc is beginning to wear down, physically and mentally, from the pressure and demands of fame. Already in a fragile state of mind, strange events start to transpire all around him, and he gradually loses his grip. Taking the advice of a psychiatrist, Blanc retreats to the countryside with his friend Carole Bouquet, but Blanc still has not managed to escape all of his problems.

Movie details

Dead Tired

1994 Comedy 1h 22m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Stressed and overworked, famous French movie star Michel Blanc is beginning to wear down, physically and mentally, from the pressure and demands of fame. Already in a fragile state of mind, strange events start to transpire all around him, and he gradually loses his grip. Taking the advice of a psychiatrist, Blanc retreats to the countryside with his friend Carole Bouquet, but Blanc still has not managed to escape all of his problems.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dead Tired?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michel Blanc

Written by

Michel Blanc · Jacques Audiard

Michel Blanc

Michel Blanc

Michel Blanc / Patrick Olivier

Carole Bouquet

Carole Bouquet

Carole Bouquet

Philippe Noiret

Philippe Noiret

Philippe Noiret

Josiane Balasko

Josiane Balasko

Josiane Balasko

Marie-Anne Chazel

Marie-Anne Chazel

Marie-Anne Chazel

Christian Clavier

Christian Clavier

Christian Clavier

Guillaume Durand

Guillaume Durand

Guillaume Durand

Court is in session

Put Dead Tired on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.