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LOL 2.0: Anne’s Golden Hour

LOL 2.0: Anne’s Golden Hour

Comedy · 2026

At 55, Anne is finally enjoying her freedom after her children leave home. But everything changes when her 23-year-old daughter, Louise, moves back in with her after a professional and romantic failure. And to make matters worse, her son, Théo, announces that she's going to be a grandmother! Anne realizes that life never goes as planned and that, at any age, we are still learning to grow up.

Movie details

LOL 2.0: Anne’s Golden Hour

2026 Comedy 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

At 55, Anne is finally enjoying her freedom after her children leave home. But everything changes when her 23-year-old daughter, Louise, moves back in with her after a professional and romantic failure. And to make matters worse, her son, Théo, announces that she's going to be a grandmother! Anne realizes that life never goes as planned and that, at any age, we are still learning to grow up.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over LOL 2.0: Anne’s Golden Hour?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Lisa Azuelos

Written by

Lisa Azuelos · Frédéric Da · Thaïs Alessandrin

Sophie Marceau

Sophie Marceau

Anne

Thaïs Alessandrin

Thaïs Alessandrin

Louise

Vincent Elbaz

Vincent Elbaz

Vincent

Alexandre Astier

Alexandre Astier

Alain

Françoise Fabian

Françoise Fabian

Françoise

Victor Belmondo

Victor Belmondo

Théo

Jérémy Kapone

Jérémy Kapone

Maël

Court is in session

Put LOL 2.0: Anne’s Golden Hour on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.