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Divorce French Style

Divorce French Style

Comedy · 2016

Two years have passed. After missing their separation, the Leroy seem perfectly successful in their divorce. But the appearance of two new lovers in the life of Vincent and Florence will set fire to the powders. The match between the former spouses resumes.

Movie details

Divorce French Style

2016 Comedy 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Two years have passed. After missing their separation, the Leroy seem perfectly successful in their divorce. But the appearance of two new lovers in the life of Vincent and Florence will set fire to the powders. The match between the former spouses resumes.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Divorce French Style?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Martin Bourboulon

Written by

Alexandre de La Patellière · Matthieu Delaporte

Laurent Lafitte

Laurent Lafitte

Vincent Leroy

Marina Foïs

Marina Foïs

Florence Corrigan

Alexandre Desrousseaux

Alexandre Desrousseaux

Mathias Leroy

Anna Lemarchand

Anna Lemarchand

Emma Leroy

Achille Potier

Achille Potier

Julien Leroy

Judith El Zein

Judith El Zein

Virginie

Michaël Abiteboul

Michaël Abiteboul

Paul

Court is in session

Put Divorce French Style on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.