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Second Tour

Second Tour

Comedy · 2023

A disgraced political journalist placed in the soccer section, Miss Pove is asked to follow the presidential campaign in progress. The front-runner is a fifty-year-old heir to a powerful French family and a political novice. Troubled by this candidate, whom she has known to be less smooth in the past, Miss Pove embarks on an investigation that is as surprising as it is jubilant.

Movie details

Second Tour

2023 Comedy 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

A disgraced political journalist placed in the soccer section, Miss Pove is asked to follow the presidential campaign in progress. The front-runner is a fifty-year-old heir to a powerful French family and a political novice. Troubled by this candidate, whom she has known to be less smooth in the past, Miss Pove embarks on an investigation that is as surprising as it is jubilant.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Second Tour?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Wild Goose Chase

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Stand Up Girl

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Comedy · 2017

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Dead Tired

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Comedy · 1994

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Comedy · 2018

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Comedy · 2010

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Names above the title

The people responsible.

Directed by

Albert Dupontel

Written by

Albert Dupontel · Camille Fontaine · Marcia Romano

Albert Dupontel

Albert Dupontel

Le candidat

Cécile de France

Cécile de France

Mademoiselle Pove

Nicolas Marié

Nicolas Marié

Gus

David Marsais

David Marsais

Le Député

Bertrand Usclat

Bertrand Usclat

Chroniqueur France +

Jackie Berroyer

Jackie Berroyer

Pr Curiepe

Philippe Uchan

Philippe Uchan

M. Robard

Court is in session

Put Second Tour on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.