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Trophy Wife

Trophy Wife

Comedy · 2010

In 1977 France, tightfisted factory owner Robert Pujol is so shocked when his workers strike for higher wages that he suffers a heart attack. His acquiescent wife, Suzanne, whose father had founded the factory, takes over management duties during Robert's convalescence.

Movie details

Trophy Wife

“The trophy is coming off the shelf.”

2010 Comedy 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

In 1977 France, tightfisted factory owner Robert Pujol is so shocked when his workers strike for higher wages that he suffers a heart attack. His acquiescent wife, Suzanne, whose father had founded the factory, takes over management duties during Robert's convalescence.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Trophy Wife?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

François Ozon

Written by

François Ozon

Catherine Deneuve

Catherine Deneuve

Suzanne Pujol

Gérard Depardieu

Gérard Depardieu

Maurice Babin

Fabrice Luchini

Fabrice Luchini

Robert Pujol

Karin Viard

Karin Viard

Nadège

Jérémie Renier

Jérémie Renier

Laurent Pujol

Judith Godrèche

Judith Godrèche

Joëlle

Élodie Frégé

Élodie Frégé

Suzanne Pujol (jeune)

Court is in session

Put Trophy Wife on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.