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The Wild Goose Chase

The Wild Goose Chase

Comedy · 1975

The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?

Movie details

The Wild Goose Chase

1975 Comedy 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wild Goose Chase?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Claude Zidi

Written by

Michel Fabre · Jean-Luc Voulfow

Pierre Richard

Pierre Richard

Pierre Vidal

Jane Birkin

Jane Birkin

Janet

Michel Aumont

Michel Aumont

Commissaire Brunet

Marc Doelnitz

Marc Doelnitz

Marc

Amadeus August

Amadeus August

Gunther

Henri Déus

Henri Déus

Mike

Luis Rego

Luis Rego

Franz

Court is in session

Put The Wild Goose Chase on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.