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Plaza Suite

Plaza Suite

Comedy · Drama · Romance · 1971

Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention and help save their failing marriage. In the second, brash film producer Jesse Kiplinger tries to seduce his former one-time flame Muriel. In the third, Roy Hubley and his wife Norma try and persuade their daughter, a bride to-be with cold feet, out of the bathroom before her approaching wedding ceremony.

Movie details

Plaza Suite

“Plaza Suite. Through its portals pass the world's most mixed-up mortals.”

1971 Comedy · Drama · Romance 1h 54m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Film version of the Neil Simon play has three separate acts set in the same hotel suite in New York's Plaza Hotel with Walter Matthau in a triple role. In the first, Karen Nash tries to get her inattentive husband Sam's attention and help save their failing marriage. In the second, brash film producer Jesse Kiplinger tries to seduce his former one-time flame Muriel. In the third, Roy Hubley and his wife Norma try and persuade their daughter, a bride to-be with cold feet, out of the bathroom before her approaching wedding ceremony.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Plaza Suite?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Names above the title

The people responsible.

Directed by

Arthur Hiller

Written by

Neil Simon

Walter Matthau

Walter Matthau

Sam Nash / Jesse Kiplinger / Roy Hubley

Maureen Stapleton

Maureen Stapleton

Karen Nash

Barbara Harris

Barbara Harris

Muriel Tate

Lee Grant

Lee Grant

Norma Hubley

Louise Sorel

Louise Sorel

Miss McCormack

Dan Ferrone

Dan Ferrone

bellboy

J

Jose Ocasio

room service waiter

Court is in session

Put Plaza Suite on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.