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Fools Rush In

Fools Rush In

Comedy · Drama · Romance · 1997

After a one night stand with Alex, Isabel realizes that she is pregnant and they decide to get married. However, along with the marriage comes compromise of one's own cultural traditions.

Movie details

Fools Rush In

“What if finding the love of your life meant changing the life that you loved?”

1997 Comedy · Drama · Romance 1h 49m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

After a one night stand with Alex, Isabel realizes that she is pregnant and they decide to get married. However, along with the marriage comes compromise of one's own cultural traditions.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fools Rush In?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Andy Tennant

Written by

Katherine Reback · Joan Taylor

Matthew Perry

Matthew Perry

Alex Whitman

Salma Hayek Pinault

Salma Hayek Pinault

Isabel Fuentes

Jon Tenney

Jon Tenney

Jeff

Carlos Gómez

Carlos Gómez

Chuy

Tomas Milian

Tomas Milian

Tomas Fuentes

Siobhan Fallon Hogan

Siobhan Fallon Hogan

Lanie

John Bennett Perry

John Bennett Perry

Richard Whitman

Court is in session

Put Fools Rush In on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.