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He Said, She Said

He Said, She Said

Comedy · Drama · Romance · 1991

Womanising, right-wing Dan Hanson and quiet, liberal Lorie Bryer work for the Baltimore Sun. Rivals for the job of new writer of a vacant column, the paper ends up instead printing their very different opinions alongside each other, which leads to a similarly combative local TV show. At the same time their initial indifference to each other looks like it may evolve into something more romantic.

Movie details

He Said, She Said

“The story of true love. Both versions.”

1991 Comedy · Drama · Romance 1h 55m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Womanising, right-wing Dan Hanson and quiet, liberal Lorie Bryer work for the Baltimore Sun. Rivals for the job of new writer of a vacant column, the paper ends up instead printing their very different opinions alongside each other, which leads to a similarly combative local TV show. At the same time their initial indifference to each other looks like it may evolve into something more romantic.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over He Said, She Said?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Marisa Silver · Ken Kwapis

Written by

Brian Hohlfeld

Kevin Bacon

Kevin Bacon

Dan Hanson

Elizabeth Perkins

Elizabeth Perkins

Lorraine "Lorie" Bryer

Nathan Lane

Nathan Lane

Wallace "Wally" Thurman

Anthony LaPaglia

Anthony LaPaglia

Mark

Sharon Stone

Sharon Stone

Linda Metzger

Stanley Anderson

Stanley Anderson

Bill Weller

Charlayne Woodard

Charlayne Woodard

Cindy

Court is in session

Put He Said, She Said on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.