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New York Stories

New York Stories

Comedy · Drama · Romance · 1989

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

Movie details

New York Stories

“One city. Three stories tall.”

1989 Comedy · Drama · Romance 2h 4m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Three tales of love, ambition, and neurosis unfold in the city that never sleeps. In "Life Lessons" (Martin Scorsese), a tormented painter channels heartbreak into his art. In "Life Without Zoë" (Francis Ford Coppola), a precocious 12-year-old navigates privilege and loneliness in a Manhattan hotel. And in "Oedipus Wrecks" (Woody Allen), a man’s domineering mother literally becomes a looming presence over New York.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over New York Stories?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Martin Scorsese · Francis Ford Coppola · Woody Allen

Written by

Richard Price · Francis Ford Coppola · Sofia Coppola · Woody Allen

Nick Nolte

Nick Nolte

Lionel Dobie

Rosanna Arquette

Rosanna Arquette

Paulette

Patrick O'Neal

Patrick O'Neal

Phillip Fowler

Mae Questel

Mae Questel

Mother

Steve Buscemi

Steve Buscemi

Gregory Stark

Talia Shire

Talia Shire

Charlotte

Giancarlo Giannini

Giancarlo Giannini

Claudio

Court is in session

Put New York Stories on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.