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Before We Go

Before We Go

Romance · Drama · Comedy · 2014

A chance encounter between two strangers in Grand Central Terminal sparks a life-changing, nighttime sojourn through New York City. They grow into each other's most trusted confidants when an evening of unexpected adventure forces them to confront their fears and take control of their lives.

Movie details

Before We Go

“One night can change your whole life.”

2014 Romance · Drama · Comedy 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

A chance encounter between two strangers in Grand Central Terminal sparks a life-changing, nighttime sojourn through New York City. They grow into each other's most trusted confidants when an evening of unexpected adventure forces them to confront their fears and take control of their lives.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Before We Go?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Chris Evans

Written by

Ronald Bass · Jen Smolka · Chris Shafer · Paul Vicknair

Chris Evans

Chris Evans

Nick Vaughan

Alice Eve

Alice Eve

Brooke Dalton

Emma Fitzpatrick

Emma Fitzpatrick

Hannah Dempsey

John Cullum

John Cullum

Harry

Mark Kassen

Mark Kassen

Danny

Elijah Moreland

Elijah Moreland

Cole

Daniel Spink

Daniel Spink

Tyler

Court is in session

Put Before We Go on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.