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Little Manhattan

Little Manhattan

Comedy · Romance · 2005

Ten-year-old Gabe Burton is just an average kid growing up in Manhattan until Rosemary Telesco walks into his karate class. But before Gabe can tell Rosemary how he feels, she reveals that she won't be going to public school any more. Gabe has a lot more to learn about life, love, and girls.

Movie details

Little Manhattan

“Nothing's as big as your first love.”

2005 Comedy · Romance 1h 30m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Ten-year-old Gabe Burton is just an average kid growing up in Manhattan until Rosemary Telesco walks into his karate class. But before Gabe can tell Rosemary how he feels, she reveals that she won't be going to public school any more. Gabe has a lot more to learn about life, love, and girls.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Little Manhattan?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mark Levin

Written by

Jennifer Flackett

Josh Hutcherson

Josh Hutcherson

Gabe

Charlie Ray

Charlie Ray

Rosemary

Bradley Whitford

Bradley Whitford

Adam

Cynthia Nixon

Cynthia Nixon

Leslie

Willie Garson

Willie Garson

Ralph

J. Kyle Manzay

J. Kyle Manzay

Master Coles

Josh Pais

Josh Pais

Ronny

Court is in session

Put Little Manhattan on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.