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In Her Shoes

In Her Shoes

Comedy · Drama · Romance · 2005

Irresponsible party girl Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.

Movie details

In Her Shoes

“Friends. Rivals. Sisters.”

2005 Comedy · Drama · Romance 2h 10m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Irresponsible party girl Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over In Her Shoes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Curtis Hanson

Written by

Susannah Grant

Cameron Diaz

Cameron Diaz

Maggie Feller

Toni Collette

Toni Collette

Rose Feller

Shirley MacLaine

Shirley MacLaine

Ella Hirsh

Mark Feuerstein

Mark Feuerstein

Simon Stein

Ken Howard

Ken Howard

Michael Feller

Richard Burgi

Richard Burgi

Jim Danvers

Brooke Smith

Brooke Smith

Amy

Court is in session

Put In Her Shoes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.