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The Accidental Tourist

The Accidental Tourist

Comedy · Drama · Romance · 1988

After the death of his son, travel writer Macon Leary seems to be sleep walking through life. Macon's wife is having similar problems. They separate, and Macon meets a strange, outgoing woman who brings him 'back down to earth', but his wife soon thinks their marriage is still worth another try.

Movie details

The Accidental Tourist

“Macon Leary was set in his ways. The way he lived, thought and worked. He imagined it would always be like that. Until an unusual woman showed him the way it could be.”

1988 Comedy · Drama · Romance 2h 1m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

After the death of his son, travel writer Macon Leary seems to be sleep walking through life. Macon's wife is having similar problems. They separate, and Macon meets a strange, outgoing woman who brings him 'back down to earth', but his wife soon thinks their marriage is still worth another try.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Accidental Tourist?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Lawrence Kasdan

Written by

Lawrence Kasdan · Frank Galati

William Hurt

William Hurt

Macon Leary

Kathleen Turner

Kathleen Turner

Sarah Leary

Geena Davis

Geena Davis

Muriel Pritchett

Amy Wright

Amy Wright

Rose Leary

David Ogden Stiers

David Ogden Stiers

Porter Leary

Ed Begley Jr.

Ed Begley Jr.

Charles Leary

Bill Pullman

Bill Pullman

Julian Hedge

Court is in session

Put The Accidental Tourist on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.