“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Wimbledon
Comedy · Romance · 2004
Britain’s Peter Colt has never quite lived up to his dreams of tennis stardom. Once ranked as high as number 11 in the world, the journeyman veteran has watched his number slip to 119 as his confidence on the court slowly ebbs away. Now, on the eve of his leaving the world of professional tennis, he’s granted a wild card, allowing him to play his final Wimbledon tournament…make that his final tournament ever.
Wimbledon
“She's the golden girl. He's the longshot. It's a match made in...”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
Britain’s Peter Colt has never quite lived up to his dreams of tennis stardom. Once ranked as high as number 11 in the world, the journeyman veteran has watched his number slip to 119 as his confidence on the court slowly ebbs away. Now, on the eve of his leaving the world of professional tennis, he’s granted a wild card, allowing him to play his final Wimbledon tournament…make that his final tournament ever.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Wimbledon?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Richard Loncraine
Written by
Mark Levin · Adam Brooks · Jennifer Flackett
Put Wimbledon on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






