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Only the Lonely

Only the Lonely

Comedy · Romance · 1991

Danny Muldoon, a Chicago policeman, still lives with his overbearing mother Rose. He meets and falls in love with Theresa Luna, whose father owns the local funeral parlour. Naturally, his mother objects to the relationship, and Danny and Theresa must either overcome her objections or give up the romance.

Movie details

Only the Lonely

“Before he can tie the knot, he has to untie the apron strings.”

1991 Comedy · Romance 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Danny Muldoon, a Chicago policeman, still lives with his overbearing mother Rose. He meets and falls in love with Theresa Luna, whose father owns the local funeral parlour. Naturally, his mother objects to the relationship, and Danny and Theresa must either overcome her objections or give up the romance.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Only the Lonely?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Chris Columbus

Written by

Chris Columbus

John Candy

John Candy

Danny Muldoon

Maureen O'Hara

Maureen O'Hara

Rose Muldoon

Ally Sheedy

Ally Sheedy

Theresa Luna

Kevin Dunn

Kevin Dunn

Patrick Muldoon

Milo O'Shea

Milo O'Shea

Doyle

Bert Remsen

Bert Remsen

Spats

Anthony Quinn

Anthony Quinn

Nick Acropolis

Court is in session

Put Only the Lonely on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.