The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Speechless
Romance · Comedy · 1994
In the midst of election season in New Mexico, political speechwriters Julia Mann and Kevin Vallick begin a romance, unaware they are working for candidates on opposite sides.
Movie details
Speechless
“There are two sides to every relationship... Don't trust either of them.”
1994 Romance · Comedy 1h 39m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
In the midst of election season in New Mexico, political speechwriters Julia Mann and Kevin Vallick begin a romance, unaware they are working for candidates on opposite sides.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Speechless?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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My Best Friend's Wedding
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Ron Underwood
Written by
Robert King
Michael Keaton
Kevin
Geena Davis
Julia
Bonnie Bedelia
Annette
Christopher Reeve
Bob 'Bagdad' Freed
Ernie Hudson
Ventura
Charles Martin Smith
Kratz
Gailard Sartain
Lee Cutler
Court is in session
Put Speechless on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.