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The Baxter

The Baxter

Comedy · Romance · 2005

Mild mannered tax accountant Elliot Sherman is what he calls a "Baxter": the kind of calm, unexciting fellow who "wears sock garters" and "enjoys raking leaves." Loved by bosses and parents, Elliot is a perfectly nice guy. And that's his problem.

Movie details

The Baxter

“A romantic comedy for anyone who's ever been dumped.”

2005 Comedy · Romance 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Mild mannered tax accountant Elliot Sherman is what he calls a "Baxter": the kind of calm, unexciting fellow who "wears sock garters" and "enjoys raking leaves." Loved by bosses and parents, Elliot is a perfectly nice guy. And that's his problem.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Baxter?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Michael Showalter

Written by

Michael Showalter

Michael Showalter

Michael Showalter

Elliot Sherman

Elizabeth Banks

Elizabeth Banks

Caroline Swann

Michelle Williams

Michelle Williams

Cecil Mills

Justin Theroux

Justin Theroux

Bradley Lake

Zak Orth

Zak Orth

Wendall Wimms

Michael Ian Black

Michael Ian Black

Ed

Catherine Lloyd Burns

Catherine Lloyd Burns

Stella

Court is in session

Put The Baxter on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.