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Crossing Delancey

Crossing Delancey

Comedy · Romance · 1988

Thirty-something Isabelle spends her time going from her tiny, solitary West Side apartment to that of her grandmother on the Lower East Side. While her grandmother plots to find her a romantic match, Isabelle is courted by a married, worldly author, Anton, yet can't seem to shake the down-to-earth appeal of Sam, a pickle vendor.

Movie details

Crossing Delancey

“A funny movie about getting serious.”

1988 Comedy · Romance 1h 37m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

6K votes

Rotten Tomatoes

82 %

Tomatometer

Metacritic

73 / 100

Metascore

TMDB

5.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Thirty-something Isabelle spends her time going from her tiny, solitary West Side apartment to that of her grandmother on the Lower East Side. While her grandmother plots to find her a romantic match, Isabelle is courted by a married, worldly author, Anton, yet can't seem to shake the down-to-earth appeal of Sam, a pickle vendor.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Crossing Delancey?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Joan Micklin Silver

Written by

Susan Sandler

Amy Irving

Amy Irving

Isabelle Grossman

Peter Riegert

Peter Riegert

Sam Posner

Reizl Bozyk

Reizl Bozyk

Bubbie Kantor

Jeroen Krabbé

Jeroen Krabbé

Anton Maes

Sylvia Miles

Sylvia Miles

Hannah Mandelbaum

George Martin

George Martin

Lionel

John Bedford Lloyd

John Bedford Lloyd

Nick

Court is in session

Put Crossing Delancey on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.