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A Touch of Class

A Touch of Class

Comedy · Romance · 1973

Steve, a happily married American man living in London meets Vicki, an English divorcée and run off to Marbella for a rollicking week of sex. They then return to London to set up a cozy menage, despite the fact that he loves his wife and children, and now realize that he and Vicki have also fallen in love.

Movie details

A Touch of Class

“They had the perfect love affair. Until they fell in love.”

1973 Comedy · Romance 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Steve, a happily married American man living in London meets Vicki, an English divorcée and run off to Marbella for a rollicking week of sex. They then return to London to set up a cozy menage, despite the fact that he loves his wife and children, and now realize that he and Vicki have also fallen in love.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Touch of Class?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Melvin Frank

Written by

Melvin Frank · Jack Rose

George Segal

George Segal

Steve Blackburn

Glenda Jackson

Glenda Jackson

Vicki Allessio

Paul Sorvino

Paul Sorvino

Walter Menkes

K Callan

K Callan

Patty Menkes

Cec Linder

Cec Linder

Wendell Thompson

Michael Elwyn

Michael Elwyn

Cecil

M

Mary Barclay

Martha Thompson

Court is in session

Put A Touch of Class on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.