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The Woman in Red

The Woman in Red

Comedy · Romance · 1984

When a happily married family man, who would never consider an affair, meets a beautiful woman in red, he is totally infatuated and desperate to make her acquaintance. However, as he tries out various schemes to sneak out to meet her, he realizes that adultery is not quite as easy as it looks.

Movie details

The Woman in Red

“He's head over heels and headed straight for trouble!”

1984 Comedy · Romance 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

When a happily married family man, who would never consider an affair, meets a beautiful woman in red, he is totally infatuated and desperate to make her acquaintance. However, as he tries out various schemes to sneak out to meet her, he realizes that adultery is not quite as easy as it looks.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Woman in Red?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Gene Wilder

Written by

Gene Wilder

Gene Wilder

Gene Wilder

Theodore Pierce

Charles Grodin

Charles Grodin

Buddy

Joseph Bologna

Joseph Bologna

Joey

Judith Ivey

Judith Ivey

Didi

M

Michael Huddleston

Mikey

Kelly LeBrock

Kelly LeBrock

Charlotte

Gilda Radner

Gilda Radner

Ms. Milner

Court is in session

Put The Woman in Red on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.