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The Prince & Me 4: The Elephant Adventure

The Prince & Me 4: The Elephant Adventure

Comedy · Romance · 2010

One year after their royal wedding, King Edvard and Queen Paige of Denmark receive an invitation to attend the wedding of Princess Myra of Sangyoon. Upon their arrival, Paige finds Myra is unhappy with her arranged marriage to the brooding and sinister Kah and is secretly in love with a young elephant handler named Alu.

Movie details

The Prince & Me 4: The Elephant Adventure

2010 Comedy · Romance 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

One year after their royal wedding, King Edvard and Queen Paige of Denmark receive an invitation to attend the wedding of Princess Myra of Sangyoon. Upon their arrival, Paige finds Myra is unhappy with her arranged marriage to the brooding and sinister Kah and is secretly in love with a young elephant handler named Alu.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Prince & Me 4: The Elephant Adventure?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Catherine Cyran

Written by

Blayne Weaver

Kam Heskin

Kam Heskin

Paige Morgan

Chris Geere

Chris Geere

King Edvard

Jonathan Firth

Jonathan Firth

Soren

Selina Lo

Selina Lo

Rayen

Ase Wang

Ase Wang

Myra

P

Prinya Intachai

Kah

Vithaya Pansringarm

Vithaya Pansringarm

King Saryu

Court is in session

Put The Prince & Me 4: The Elephant Adventure on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.