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Jerry Maguire

Jerry Maguire

Comedy · Drama · Romance · 1996

Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player.

Movie details

Jerry Maguire

“Everybody loved him... Everybody disappeared. The journey is everything.”

1996 Comedy · Drama · Romance 2h 19m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jerry Maguire?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Cameron Crowe

Written by

Cameron Crowe

Tom Cruise

Tom Cruise

Jerry Maguire

Renée Zellweger

Renée Zellweger

Dorothy Boyd

Cuba Gooding Jr.

Cuba Gooding Jr.

Rod Tidwell

Kelly Preston

Kelly Preston

Avery Bishop

Jerry O'Connell

Jerry O'Connell

Frank Cushman

Jay Mohr

Jay Mohr

Bob Sugar

Regina King

Regina King

Marcee Tidwell

Court is in session

Put Jerry Maguire on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.