The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Center Stage: Turn It Up
Drama · Music · Romance · 2008
All self-taught dancer Kate Parker has ever wanted to do was perform with the American Academy of Ballet. But when she doesnt make it after auditioning, she learns that it takes more than precision and perfection to succeed in the dance world.
Movie details
Center Stage: Turn It Up
2008 Drama · Music · Romance 1h 35m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
All self-taught dancer Kate Parker has ever wanted to do was perform with the American Academy of Ballet. But when she doesnt make it after auditioning, she learns that it takes more than precision and perfection to succeed in the dance world.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Center Stage: Turn It Up?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
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Names above the title
The people responsible.
Cast & crew
Directed by
Steven Jacobson
Written by
Karen Bloch Morse
Rachele Brooke Smith
Kate Parker
Kenny Wormald
Tommy Anderson
S
Sarah Jayne Jensen
Suzanne Von Stroh
Peter Gallagher
Jonathan Reeves
Nicole Muñoz
Bella Parker
Yan-Kay Crystal Lowe
Lexi
Ethan Stiefel
Cooper Nielsen
Court is in session
Put Center Stage: Turn It Up on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.