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I Met a Girl

I Met a Girl

Romance · Drama · Comedy · 2020

An aspiring musician struggling with schizophrenia falls for a mysterious woman who may be all in his head. When she suddenly vanishes, he takes off on a cross-country journey across Australia to find her, forcing his long-suffering brother to chase after him.

Movie details

I Met a Girl

“What if the woman of your dreams was all in your head?”

2020 Romance · Drama · Comedy 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

An aspiring musician struggling with schizophrenia falls for a mysterious woman who may be all in his head. When she suddenly vanishes, he takes off on a cross-country journey across Australia to find her, forcing his long-suffering brother to chase after him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Met a Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Coyote Ugly

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Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.

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Where it lives

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Names above the title

The people responsible.

Directed by

Luke Eve

Written by

Glen Dolman

Brenton Thwaites

Brenton Thwaites

Devon

Lily Sullivan

Lily Sullivan

Lucy

Joel Jackson

Joel Jackson

Nick

Zahra Newman

Zahra Newman

Olivia

Anita Hegh

Anita Hegh

Patricia

Dan Paris

Dan Paris

Male Host

Anni Finsterer

Anni Finsterer

Miss Needles

Court is in session

Put I Met a Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.