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Claudine

Claudine

Drama · Romance · Comedy · 1974

Claudine is a single mother in New York City who endures an exhausting commute to the suburbs where she works as a maid for wealthy families. In one carefully tended white community, she meets Roop, a charismatic but irresponsible garbage collector. Romance quickly ensues, but Claudine doubts that their relationship is good for her six children, and Rupert, despite his good nature, is reluctant to take on fatherhood.

Movie details

Claudine

“A heart and soul comedy. Can you dig it?”

1974 Drama · Romance · Comedy 1h 32m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Claudine is a single mother in New York City who endures an exhausting commute to the suburbs where she works as a maid for wealthy families. In one carefully tended white community, she meets Roop, a charismatic but irresponsible garbage collector. Romance quickly ensues, but Claudine doubts that their relationship is good for her six children, and Rupert, despite his good nature, is reluctant to take on fatherhood.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Claudine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Berry

Written by

Lester Pine · Tina Pine

Diahann Carroll

Diahann Carroll

Claudine Price

James Earl Jones

James Earl Jones

Rupert D. "Roop" Marshall

Lawrence Hilton-Jacobs

Lawrence Hilton-Jacobs

Charles

Tamu Blackwell

Tamu Blackwell

Charlene

David Krüger

David Krüger

Paul

Y

Yvette Curtis

Patrice

E

Eric Jones

Francis

Court is in session

Put Claudine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.