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A Lot Like Love

A Lot Like Love

Comedy · Drama · Romance · 2005

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to... lovers?

Movie details

A Lot Like Love

“There's nothing better than a great romance... to ruin a perfectly good friendship.”

2005 Comedy · Drama · Romance 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to... lovers?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Lot Like Love?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Nigel Cole

Written by

Colin Patrick Lynch

Ashton Kutcher

Ashton Kutcher

Oliver Martin

Amanda Peet

Amanda Peet

Emily Friehl

Kathryn Hahn

Kathryn Hahn

Michelle

Kal Penn

Kal Penn

Jeeter

Ali Larter

Ali Larter

Gina

Taryn Manning

Taryn Manning

Ellen Martin

Gabriel Mann

Gabriel Mann

Peter

Court is in session

Put A Lot Like Love on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.