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The Outsider

The Outsider

Drama · Romance · Western · 2002

Montana sheep farmer Rebecca Yoder offers sanctuary to an on-the-lam outlaw, Johnny Gault, who is suffering from a gunshot wound. Yoder is a recent widow, and her decision to help the outsider doesn't sit well with her Quaker community. As a romance brews between her and Gault, it puts in jeopardy her standing among her devout neighbors. But when an evil rancher makes a play for the community's land, Gault's sharpshooting skills might prove his worth after all.

Movie details

The Outsider

“His justice comes from the barrel of a gun.”

2002 Drama · Romance · Western 1h 59m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Montana sheep farmer Rebecca Yoder offers sanctuary to an on-the-lam outlaw, Johnny Gault, who is suffering from a gunshot wound. Yoder is a recent widow, and her decision to help the outsider doesn't sit well with her Quaker community. As a romance brews between her and Gault, it puts in jeopardy her standing among her devout neighbors. But when an evil rancher makes a play for the community's land, Gault's sharpshooting skills might prove his worth after all.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Outsider?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Randa Haines

Written by

Jenny Wingfield

Tim Daly

Tim Daly

Johnny Gault

Naomi Watts

Naomi Watts

Rebecca Yoder

Keith Carradine

Keith Carradine

Noah Weaver

David Carradine

David Carradine

Doctor Lucas Henry

Thomas Curtis

Thomas Curtis

Benjo Yoder

Brett Tucker

Brett Tucker

Ben Yoder

John Noble

John Noble

Fergus Hunter

Court is in session

Put The Outsider on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.