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Rachel, Rachel

Rachel, Rachel

Drama · Romance · 1968

Rachel is a 35-year-old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.

Movie details

Rachel, Rachel

“Who cares about a 35 year old virgin?”

1968 Drama · Romance 1h 41m

Critical arithmetic

The consensus, allegedly.

IMDb

7.1 / 10

4.1K votes

Rotten Tomatoes

92 %

Tomatometer

Metacritic

74 / 100

Metascore

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Rachel is a 35-year-old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rachel, Rachel?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Paul Newman

Written by

Stewart Stern

Joanne Woodward

Joanne Woodward

Rachel Cameron

James Olson

James Olson

Nick Kazlik

Kate Harrington

Kate Harrington

Mrs. Cameron

Estelle Parsons

Estelle Parsons

Calla Mackie

Donald Moffat

Donald Moffat

Niall Cameron

Terry Kiser

Terry Kiser

Preacher

Frank Corsaro

Frank Corsaro

Hector Jonas

Court is in session

Put Rachel, Rachel on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.