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Blind

Blind

Drama · Romance · 2017

A novelist is blinded in a car crash that killed his wife and several years later rediscovers his passion for life and writing when he embarks on an affair with the neglected wife of an indicted businessman.

Movie details

Blind

“We see what we want to see”

2017 Drama · Romance 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A novelist is blinded in a car crash that killed his wife and several years later rediscovers his passion for life and writing when he embarks on an affair with the neglected wife of an indicted businessman.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blind?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Last Time I Saw Paris

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The Golden Bowl

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Lady Chatterley's Lover

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An early-20th-century tale of love across class boundaries which tells the legendary and romantic story of Lady Chatterley’s affair with her gamekeeper. Jed Mercurio’s adaptation of DH Lawrence’s classic.

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Names above the title

The people responsible.

Directed by

Michael Mailer

Written by

Diane Fisher · John Buffalo Mailer

Alec Baldwin

Alec Baldwin

Bill Oakland

Demi Moore

Demi Moore

Suzanne Dutchman

Steven Prescod

Steven Prescod

Gavin O'Connor

Eden Epstein

Eden Epstein

Ella

Dylan McDermott

Dylan McDermott

Mark Dutchman

James McCaffrey

James McCaffrey

Howard Cunningham

Viva Bianca

Viva Bianca

Deanna

Court is in session

Put Blind on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.