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Two for the Seesaw

Two for the Seesaw

Drama · Romance · 1962

After leaving his wife, lawyer Jerry Ryan moves from Omaha, Nebraska to New York City to start a new life. While studying for the New York Bar Examination and working to finalize his divorce, Ryan meets dancer Gittel Mosca, and the two begin a cautious courtship. However, Ryan feels that he must come to terms with his failed marriage and overcome his lingering attachment to his ex-wife before he can redefine himself and embrace his budding romance.

Movie details

Two for the Seesaw

“A square from Nebraska? An off-beatnik from Greenwich Village? It just didn't figure ... that they would ... that they could ... that they did!”

1962 Drama · Romance 1h 59m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

After leaving his wife, lawyer Jerry Ryan moves from Omaha, Nebraska to New York City to start a new life. While studying for the New York Bar Examination and working to finalize his divorce, Ryan meets dancer Gittel Mosca, and the two begin a cautious courtship. However, Ryan feels that he must come to terms with his failed marriage and overcome his lingering attachment to his ex-wife before he can redefine himself and embrace his budding romance.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Two for the Seesaw?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Wise

Written by

Isobel Lennart

Robert Mitchum

Robert Mitchum

Jerry Ryan

Shirley MacLaine

Shirley MacLaine

Gittel 'Mosca' Moscawitz

Edmon Ryan

Edmon Ryan

Frank Taubman

Elisabeth Fraser

Elisabeth Fraser

Sophie

Eddie Firestone

Eddie Firestone

Oscar

Billy Gray

Billy Gray

Monsieur Jacoby

Ann Morgan Guilbert

Ann Morgan Guilbert

Molly - Dance Student's Mother

Court is in session

Put Two for the Seesaw on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.