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The Mountain Men

The Mountain Men

Adventure · Western · Drama · 1980

The story concerns two grizzled mountain men -- Bill Tyler and Henry Frapp -- during the dying days of the fur-trapping era. The plot begins when Running Moon runs away from her abusive husband Heavy Eagle and comes across the two seedy fur trappers. The mountain men take her in, unaware that Heavy Eagle has dispatched an army of Indian braves to reclaim her.

Movie details

The Mountain Men

1980 Adventure · Western · Drama 1h 42m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

The story concerns two grizzled mountain men -- Bill Tyler and Henry Frapp -- during the dying days of the fur-trapping era. The plot begins when Running Moon runs away from her abusive husband Heavy Eagle and comes across the two seedy fur trappers. The mountain men take her in, unaware that Heavy Eagle has dispatched an army of Indian braves to reclaim her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mountain Men?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Lang

Written by

Fraser Clarke Heston

Charlton Heston

Charlton Heston

Bill Tyler

Brian Keith

Brian Keith

Henry Frapp

Victoria Racimo

Victoria Racimo

Running Moon

Stephen Macht

Stephen Macht

Heavy Eagle

Seymour Cassel

Seymour Cassel

La Bont

David Ackroyd

David Ackroyd

Medicine Wolf

Cal Bellini

Cal Bellini

Cross Otter

Court is in session

Put The Mountain Men on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.