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The Claim

The Claim

Drama · Romance · Western · 2000

A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scouts the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter.

Movie details

The Claim

“Everything has a price.”

2000 Drama · Romance · Western 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scouts the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Claim?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Missouri Breaks

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Pale Rider

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A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.

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Names above the title

The people responsible.

Directed by

Michael Winterbottom

Written by

Frank Cottrell Boyce

Peter Mullan

Peter Mullan

Daniel Dillon

Milla Jovovich

Milla Jovovich

Lucia

Wes Bentley

Wes Bentley

Donald Dalglish

Nastassja Kinski

Nastassja Kinski

Elena Burn

Sarah Polley

Sarah Polley

Hope Burn

Shirley Henderson

Shirley Henderson

Annie

Julian Richings

Julian Richings

Francis Bellanger

Court is in session

Put The Claim on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.