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Nine Lives

Nine Lives

Drama · Romance · 2005

Captives of the very relationships that define and sustain them, nine women resiliently meet the travails and disappointments of life.

Movie details

Nine Lives

“Every life has a story. And every story has a life of its own.”

2005 Drama · Romance 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Captives of the very relationships that define and sustain them, nine women resiliently meet the travails and disappointments of life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Nine Lives?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Muslim prince Ali and Georgian aristocrat Nino have grown up in the Russian province of Azerbaijan. Their tragic love story sees the outbreak of the First World War and the world’s struggle for Baku’s oil. Ultimately they must choose to fight for their country’s independence or for each other.

Where it lives

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Names above the title

The people responsible.

Directed by

Rodrigo García

Written by

Rodrigo García

Kathy Baker

Kathy Baker

Camille

Amy Brenneman

Amy Brenneman

Lorna

Elpidia Carrillo

Elpidia Carrillo

Sandra

Glenn Close

Glenn Close

Maggie

Stephen Dillane

Stephen Dillane

Martin

Dakota Fanning

Dakota Fanning

Maria

William Fichtner

William Fichtner

Andrew

Court is in session

Put Nine Lives on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.