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Petulia

Petulia

Drama · Romance · 1968

Dr. Archie Bollen is having a midlife crisis. He's just divorced his wife and is establishing a new life for himself. One night, he catches the eye of Petulia Danner, a charming, free-spirited young woman. Petulia's vibrant personality hides her fear of her abusive husband, David, whose father is a powerful society figure. As Petulia and Archie's feelings for each other grow, they must decide what it is they truly want.

Movie details

Petulia

“People bugged by people will do extraordinary things.”

1968 Drama · Romance 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Dr. Archie Bollen is having a midlife crisis. He's just divorced his wife and is establishing a new life for himself. One night, he catches the eye of Petulia Danner, a charming, free-spirited young woman. Petulia's vibrant personality hides her fear of her abusive husband, David, whose father is a powerful society figure. As Petulia and Archie's feelings for each other grow, they must decide what it is they truly want.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Petulia?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Lester

Written by

Lawrence B. Marcus

Julie Christie

Julie Christie

Petulia Danner

George C. Scott

George C. Scott

Dr. Archie Bollen

Richard Chamberlain

Richard Chamberlain

Dave Danner

Arthur Hill

Arthur Hill

Barney

Shirley Knight

Shirley Knight

Polo

Pippa Scott

Pippa Scott

May

Kathleen Widdoes

Kathleen Widdoes

Wilma

Court is in session

Put Petulia on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.