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Come See the Paradise

Come See the Paradise

Drama · Romance · History · 1990

In this drama from director Alan Parker, on-the-lam Jack McGurn flees to Los Angeles and takes a job as a projectionist at a movie theater owned by a Japanese-American man. Jack falls for the owner's daughter, Lily, but they are forced to elope to Seattle when her father forbids the relationship. The couple marry and have a daughter, but when World War II breaks out, Jack is powerless to stop his new family's forced internment.

Movie details

Come See the Paradise

“In 1942 over 100,000 Americans were interned in prison camps. In America.”

1990 Drama · Romance · History 2h 13m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In this drama from director Alan Parker, on-the-lam Jack McGurn flees to Los Angeles and takes a job as a projectionist at a movie theater owned by a Japanese-American man. Jack falls for the owner's daughter, Lily, but they are forced to elope to Seattle when her father forbids the relationship. The couple marry and have a daughter, but when World War II breaks out, Jack is powerless to stop his new family's forced internment.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Come See the Paradise?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alan Parker

Written by

Alan Parker

Dennis Quaid

Dennis Quaid

Jack McGurn

Tamlyn Tomita

Tamlyn Tomita

Lily Kawamura

Sab Shimono

Sab Shimono

Mr. Kawamura

B

Brady Tsurutani

Frankie Kawamura

Shizuko Hoshi

Shizuko Hoshi

Mrs. Kawamura

Stan Egi

Stan Egi

Charlie Kawamura

R

Ronald Yamamoto

Harry Kawamura

Court is in session

Put Come See the Paradise on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.