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In Love and War

In Love and War

Drama · Romance · History · 1996

After teenage ambulance driver Ernest Hemingway takes shrapnel in the leg during World War I, he falls in love with Agnes von Kurowsky, a beautiful older nurse at the hospital where he's sent to recover. Their affair slowly blossoms, until Hemingway boldly asks Agnes to be his wife and journey to America with him.

Movie details

In Love and War

“In war they found each other...In each other they found love...”

1996 Drama · Romance · History 1h 53m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

After teenage ambulance driver Ernest Hemingway takes shrapnel in the leg during World War I, he falls in love with Agnes von Kurowsky, a beautiful older nurse at the hospital where he's sent to recover. Their affair slowly blossoms, until Hemingway boldly asks Agnes to be his wife and journey to America with him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over In Love and War?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Richard Attenborough

Written by

Allan Scott · Anna Hamilton Phelan · Clancy Sigal

Sandra Bullock

Sandra Bullock

Agnes von Kurowsky

Chris O'Donnell

Chris O'Donnell

Ernest 'Ernie' Hemingway

Mackenzie Astin

Mackenzie Astin

Henry Villard

M

Margot Steinberg

Mabel 'Rosie' Rose

Alan Bennett

Alan Bennett

Porter

Ingrid Lacey

Ingrid Lacey

Elsie 'Mac' MacDonald

G

George Rossi

Triage Medic

Court is in session

Put In Love and War on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.