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Racing with the Moon

Racing with the Moon

Drama · Romance · 1984

In a small coastal California town, Henry and Nicky are pals from blue collar families with only a short time before they ship off to World War II. Henry begins romancing new-to-town Caddie Winger, believing her to be wealthy. Mischievous and irresponsible, Nicky gets into trouble which forces the other two to become involved, testing their relationship, as well as the friendship between the boys.

Movie details

Racing with the Moon

“It was 1943. And young men were counting the days before they went off to war...”

1984 Drama · Romance 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In a small coastal California town, Henry and Nicky are pals from blue collar families with only a short time before they ship off to World War II. Henry begins romancing new-to-town Caddie Winger, believing her to be wealthy. Mischievous and irresponsible, Nicky gets into trouble which forces the other two to become involved, testing their relationship, as well as the friendship between the boys.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Racing with the Moon?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Richard Benjamin

Written by

Steve Kloves

Sean Penn

Sean Penn

Henry 'Hopper' Nash

Nicolas Cage

Nicolas Cage

Nicky / Bud

Elizabeth McGovern

Elizabeth McGovern

Caddie Winger

John Karlen

John Karlen

Mr. Nash

Rutanya Alda

Rutanya Alda

Mrs. Nash

Max Showalter

Max Showalter

Mr. Arthur, Piano Teacher

Crispin Glover

Crispin Glover

Gatsby Boy

Court is in session

Put Racing with the Moon on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.