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I'm in Love with a Church Girl

I'm in Love with a Church Girl

Drama · Romance · 2013

Miles Montego has it all - cars, boats, good looks, mansion, money, women, but more importantly, he has a past.

Movie details

I'm in Love with a Church Girl

“Sometimes God needs to use Extreme Measures to deal with Extreme Circumstances”

2013 Drama · Romance 1h 58m

Critical arithmetic

The consensus, allegedly.

IMDb

4.2 / 10

2K votes

Rotten Tomatoes

10 %

Tomatometer

Metacritic

23 / 100

Metascore

TMDB

5.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Miles Montego has it all - cars, boats, good looks, mansion, money, women, but more importantly, he has a past.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I'm in Love with a Church Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Steve Race

Written by

Galley Molina

Ja Rule

Ja Rule

Miles Montego

Adrienne Bailon-Houghton

Adrienne Bailon-Houghton

Vanessa Leon

Stephen Baldwin

Stephen Baldwin

Jason McDaniels

T

T-Bone

Martin De La Fuente

Martin Kove

Martin Kove

Terry Edgemond

Michael Madsen

Michael Madsen

Frank Harris

Vincent Pastore

Vincent Pastore

Nicholas Halston

Court is in session

Put I'm in Love with a Church Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.