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Possession

Possession

Drama · Mystery · Romance · 2002

Maud Bailey, a brilliant English academic, is researching the life and work of poet Christabel La Motte. Roland Michell is an American scholar in London to study Randolph Henry Ash, now best-known for a collection of poems dedicated to his wife. When Maud and Roland discover a cache of love letters that appear to be from Ash to La Motte, they follow a trail of clues across England, echoing the journey of the couple over a century earlier.

Movie details

Possession

“The past will connect them. The passion will possess them.”

2002 Drama · Mystery · Romance 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Maud Bailey, a brilliant English academic, is researching the life and work of poet Christabel La Motte. Roland Michell is an American scholar in London to study Randolph Henry Ash, now best-known for a collection of poems dedicated to his wife. When Maud and Roland discover a cache of love letters that appear to be from Ash to La Motte, they follow a trail of clues across England, echoing the journey of the couple over a century earlier.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Possession?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Neil LaBute

Written by

Laura Jones · Neil LaBute

Gwyneth Paltrow

Gwyneth Paltrow

Maud Bailey

Aaron Eckhart

Aaron Eckhart

Roland Mitchell

Jeremy Northam

Jeremy Northam

Randolph Henry Ash

Jennifer Ehle

Jennifer Ehle

Christabel LaMotte

Lena Headey

Lena Headey

Blanche Glover

Holly Aird

Holly Aird

Ellen Ash

Toby Stephens

Toby Stephens

Fergus Wolfe

Court is in session

Put Possession on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.