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Mandingo

Mandingo

Romance · Drama · History · 1975

Warren Maxwell, the owner of a run-down plantation, pressures his son, Hammond, to marry and produce an heir to inherit the plantation. Hammond settles on his own cousin, Blanche, but purchases a sex slave when he returns from the honeymoon. He also buys his father a new Mandingo slave named Mede to breed and train as a prize-fighter.

Movie details

Mandingo

“Expect The Savage. The Sensual. The Shocking. The Sad. The Powerful. The Shameful. Expect The Truth.”

1975 Romance · Drama · History 2h 7m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Warren Maxwell, the owner of a run-down plantation, pressures his son, Hammond, to marry and produce an heir to inherit the plantation. Hammond settles on his own cousin, Blanche, but purchases a sex slave when he returns from the honeymoon. He also buys his father a new Mandingo slave named Mede to breed and train as a prize-fighter.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mandingo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Richard Fleischer

Written by

Jack Kirkland · Norman Wexler

Perry King

Perry King

Hammond Maxwell

James Mason

James Mason

Warren Maxwell

Susan George

Susan George

Blanche Woodford Maxwell

Ken Norton

Ken Norton

Mede (Ganymede)

Richard Ward

Richard Ward

Agamemnon

Brenda Sykes

Brenda Sykes

Ellen

Lillian Hayman

Lillian Hayman

Lucrezia Borgia

Court is in session

Put Mandingo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.