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The End of the Affair

The End of the Affair

Romance · Drama · 1999

On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.

Movie details

The End of the Affair

“The end was just the beginning.”

1999 Romance · Drama 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

On a rainy London night in 1946, novelist Maurice Bendrix has a chance meeting with Henry Miles, husband of his ex-mistress Sarah, who abruptly ended their affair two years before. Bendrix's obsession with Sarah is rekindled; he succumbs to his own jealousy and arranges to have her followed.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The End of the Affair?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Neil Jordan

Written by

Neil Jordan

Ralph Fiennes

Ralph Fiennes

Maurice Bendrix

Julianne Moore

Julianne Moore

Sarah Miles

Stephen Rea

Stephen Rea

Henry Miles

James Bolam

James Bolam

Mr. Savage

Ian Hart

Ian Hart

Mr. Parkis

Jason Isaacs

Jason Isaacs

Father Richard Smythe

Deborah Findlay

Deborah Findlay

Miss Smythe

Court is in session

Put The End of the Affair on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.