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Dangerous Liaisons

Dangerous Liaisons

Drama · Romance · 1988

In 18th century France, Marquise de Merteuil asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned.

Movie details

Dangerous Liaisons

“Lust. Seduction. Revenge. The game as you've never seen it played before.”

1988 Drama · Romance 1h 59m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

In 18th century France, Marquise de Merteuil asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dangerous Liaisons?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Fanny

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Lady Chatterley's Lover

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After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs.

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The End of the Affair

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Total Eclipse

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A New York suburban couple's marriage goes dangerously awry when the wife indulges in an adulterous fling.

Where it lives

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Names above the title

The people responsible.

Directed by

Stephen Frears

Written by

Christopher Hampton

Glenn Close

Glenn Close

Marquise Isabelle de Merteuil

John Malkovich

John Malkovich

Vicomte Sébastien de Valmont

Michelle Pfeiffer

Michelle Pfeiffer

Madame Marie de Tourvel

Uma Thurman

Uma Thurman

Cécile de Volanges

Swoosie Kurtz

Swoosie Kurtz

Madame de Volanges

Keanu Reeves

Keanu Reeves

Le Chevalier Raphael Danceny

Mildred Natwick

Mildred Natwick

Madame de Rosemonde

Court is in session

Put Dangerous Liaisons on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.