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The French Lieutenant's Woman

The French Lieutenant's Woman

Drama · Romance · History · 1981

In this story-within-a-story, Anna is an actress starring opposite Mike in a period piece about the forbidden love between their respective characters, Sarah and Charles. Both actors are involved in serious relationships, but the passionate nature of the script leads to an off-camera love affair as well. While attempting to maintain their composure and professionalism, Anna and Mike struggle to come to terms with their infidelity.

Movie details

The French Lieutenant's Woman

“She was lost from the moment she saw him.”

1981 Drama · Romance · History 2h 4m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

In this story-within-a-story, Anna is an actress starring opposite Mike in a period piece about the forbidden love between their respective characters, Sarah and Charles. Both actors are involved in serious relationships, but the passionate nature of the script leads to an off-camera love affair as well. While attempting to maintain their composure and professionalism, Anna and Mike struggle to come to terms with their infidelity.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The French Lieutenant's Woman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Karel Reisz

Written by

Harold Pinter

Meryl Streep

Meryl Streep

Sarah / Anna

Jeremy Irons

Jeremy Irons

Charles Henry Smithson / Mike

Hilton McRae

Hilton McRae

Sam

Lynsey Baxter

Lynsey Baxter

Ernestina

Emily Morgan

Emily Morgan

Mary

Penelope Wilton

Penelope Wilton

Sonia

J

Jean Faulds

Cook

Court is in session

Put The French Lieutenant's Woman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.