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Bride & Prejudice

Bride & Prejudice

Drama · Comedy · Romance · 2004

Mrs. Bakshi is eager to find suitors for her four unmarried daughters when a family friend introduces them to handsome American Will Darcy. A Bollywood-style modern adaptation of Jane Austen's classic novel.

Movie details

Bride & Prejudice

“Bollywood meets Hollywood… And it's a perfect match”

2004 Drama · Comedy · Romance 1h 52m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

22.2K votes

Rotten Tomatoes

63 %

Tomatometer

Metacritic

55 / 100

Metascore

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Mrs. Bakshi is eager to find suitors for her four unmarried daughters when a family friend introduces them to handsome American Will Darcy. A Bollywood-style modern adaptation of Jane Austen's classic novel.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bride & Prejudice?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Gurinder Chadha

Written by

Gurinder Chadha · Paul Mayeda Berges

Aishwarya Rai Bachchan

Aishwarya Rai Bachchan

Lalita Bakshi

Martin Henderson

Martin Henderson

William Darcy

Naveen Andrews

Naveen Andrews

Balraj

Daniel Gillies

Daniel Gillies

Johnny Wickham

Indira Varma

Indira Varma

Kiran

Marsha Mason

Marsha Mason

Catherine Darcy

N

Nadira Babbar

Manorama Bakshi

Court is in session

Put Bride & Prejudice on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.